Tagged: ANALOGUE DRAWING

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STILL AND MOVING

Humans produce still images (paintings, photographs, etc) and moving images (films, videos, slide displays, etc.).  There are no still images in human visual perception: the area of light that is focused on your retina...

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WORKING BALANCE

What are the marks that you make on the surface?   What is your working balance? Are they lines?  Does the term line confuse the issue?   A line as defined by Euclidian modalities does...

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FORMNICATION

Formnication  noun     1.   the imparting or exchanging of information between forms2. a process by which one form is modified by another one“This is the result of the formnication of the cylinder...

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THE PROCESS IS THE MASSAGE

“What is needed is a process approach: each visual representation should be linked with its context of production.”   Pauwels.

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TAKE A DOT FOR A WALK

Paul Klee famously stated that a line is “a dot that went for a walk.”  You make a dot when your pencil touches your paper, and that dot goes for a walk because of...

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THE ARCHITECT SHALL DESIGN A FORM

The fundamental task of a designer is to design a form.  Before any problem is solved there must be a form.   Yet, designers are seen as problem solvers.  A client may say, I...

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SIMULTANEOUS DRAWING

In Transparent Drawing, I used the words simultaneous, and simultaneously, 20 times.  Drawing simultaneously is one of my central concepts.  As I took these photos a few days ago in the countryside of Girona,...

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AUTHENTIC ANONYMITY

Rowe makes the point that Mies was concerned with anonymity.  In Mies’ view, the idea was superordinant.  The fact and the form were secondary.  And this anonymity was deeply rooted in classicism.  Beaux Arts...

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LET’S DESIGN THE PROFESSION

There have been a spate of articles asking the question, will AI (Artificial Intelligence) make architects obsolete? Oliver Wainwright’s article in The Guardian is worth focusing on.  In the article, Wainwright interviews Ethan Mills,...

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BRAIN DUMP

I’ve been wanting to put together a page like this for awhile.  I have assembled sequential pages from a sketchbook, to see if my brain dump gives insight.  The date range is from 7...

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SCORES AND SKETCHES

Architecture is what happens between your ears.  The act of form generation has the greatest purity in your mind.  Purity is reduced the more that the process moves toward a form that exists.  ...

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GIFT SHOP

I will draw a Transparent Drawing for you. The gift shop is now open. I know, I know.  After all of these years, I am actually stooping so low as to offer to do...

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YOU SEE SHAPE

I happened upon course planning material for early grade teachers.  These sources use the terms 2D Shapes, and 3D Shapes.  They never use the term form.  Shapes are not Forms.   So let’s say...

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FUNCTION IS FAKE

You can’t understand architecture with regard to function.  Function is a bore.   Function has never made sense.  Function is fake.   “Culture imposes accepted understanding of function.” Deetz. “Where function enters into the...

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EVERYBODY’S BUSINESS

“Design is everybody’s business because we live in it, we eat in it, we pray and play in it.  And still the appreciation of design, good or bad, is considered as the privilege of...

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THE CULTURAL DIALOGUE OF FORMS 

The forms that you design becomes markers of social order.  Our forms, our stuff, our crap, becomes talismans of cultural value.  Forms are a cultural road map:  they are in direct conversation with the...

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DESIGN COMPETENCE

Architects, to maintain their license to practice, need to earn a certain number of what are called Continuing Education credits per year.  Many of you readers are architects, and are of course familiar with...

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THE TECHNOLOGY OF A PEN AND A PIECE OF PAPER

All over the news, pundits are covering the advance of AI chatbots such as ChatGPT, etc.  Most of them bemoan this new technological incursion.  The New York Time’s coverage seemed to be slightly unique. ...

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YOUR ACTS OF DESIGN

Your only concern should be to produce forms that are authentic and responsive.  You can only be concerned with your acts of design. This is all you can do.  You cannot be concerned with...

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NOTHING BUT FORMS

Over the course of your daily life, you do nothing but manipulate and engage with forms.    Your computer, toothbrush, automobile, pasta pot, and hopefully the pencil that you draw with are a sampling...