THE CULTURAL DIALOGUE OF FORMS
The forms that you design becomes markers of social order. Our forms, our stuff, our crap, becomes talismans of cultural value. Forms are a cultural road map: they are in direct conversation with the...
The forms that you design becomes markers of social order. Our forms, our stuff, our crap, becomes talismans of cultural value. Forms are a cultural road map: they are in direct conversation with the...
In the November 2019 print issue of ArchitectureBoston, Nalina Moses structures a great defense and call to arms regarding what, in these pages, we call drawing. The article can be found online here. “Architects...
Provenance. Authenticity. I kept thinking about these concepts as I read the interesting and funny article by Nick Paumgarten in the 22 Oct. issue of The New Yorker, which discusses blockchains. The article focuses...
At Transparent Drawing, the only drawing that has value is one that is produced analogue. If the graphic is not 100% analogue, you can’t call it a drawing. See ANALOGUE DRAWING. And the...
In the 23 May 2016 issue of The New Yorker, Julie Belcove writes about a new architectural exhibition that is being constructed in the Guggenheim. The artist is Kader Attia, and he has set...
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