Tagged: DRAW LIKE A BYZANTINE

1

A BUILDING, BY REQUEST

Why am I not drawing more buildings, like I used to do?  Two readers recently asked this question.  The drawing below is an attempt to get back to buildings.  It is of Hagia Sophia,...

0

GENERATE FORM LIKE A BYZANTINE

A mantra of Transparent Drawing is Draw Like A Byzantine. And the Byzantines used a lot of gold leaf. I don’t know about you, but my personal stash of gold leaf seems to be...

0

WORK WITH YOUR HANDS

We work with our hands. We manipulate physical tools, pen, paper and the like, as we craft knowledge of form. Our primary sensory input is visual. We craft our drawings in the analogue. Our...

0

NOTES ON THE SYNTHESIS OF FORM

Christopher Alexander, with their book A Pattern Language, has been a celestial reference from the beginning. So I was intrigued when I realized that they wrote Notes On The Synthesis of Form. He provides...

OPACITY 1

OPACITY

The drawing above violates two key Transparent Drawing precepts. It tries for opacity. And it was knowledged from a single photograph. The horror! The tones were done with acrylic ink. I tried to make...

0

TIME AT CREATION

So let’s try looking at this in another way. When you draw, what you really do is create time. We already know that to knowledge form requires time. (See Time Of Seeing.) Your act...

51-29.5 TRANSPARENT DRAWING 0

LIFE IS NOT LIKE AN OIL PAINTING

“Life delineates itself on the canvas called time; and time never repeats: once gone, forever gone, and so is an act: once done, it is never undone. Life is a sumiye-painting, which must be...

ELLSWORTH KELLY PLANT DRAWINGS 0

TRANSPARENT CUBISM

Historians have divided Cubism into two segments. Analytic and Synthetic. Analytic Cubism happened at the beginning of the movement, including the years 1908-1912.  The concepts of Analytic Cubism are central to Transparent Drawing. “It...

DRAW LIKE A BYZANTINE 0

DRAW LIKE A BYZANTINE

A new phrase, Draw Like a Byzantine, has crept into these pages without any warning. Let’s try to formalize the meaning of this phrase so as to bring it into our lexicon. To Draw...

0

ELIMINATE THE VANISHING POINT

You want to Draw Like a Byzantine?  Eliminate the vanishing point. Have you ever thought about the cultural hegemony of the act of placing the vanishing point on your paper? There you are, drawing...

0

CHOICE

The removal of choice. How many art theories have had, as a central precept, the removal of choice?   Why have many modernist artists been concerned with the removal of choice?  Who were they? To...

0

INFINITELY EXTENSIVE

John Berger, in the following passage, exhorts us to beware of the habitual gesture, the habitual line, and maybe all habits in general: “The lines of a sign are uniform and regular: the lines...

1

WATER SOLUBLE PENCILS 3

I thought this might work. I did the thumbnail above more or less absentmindedly, and noticed that the water soluble pencil soaked up the water.  In a more or less non thinking manner, I...

0

WATER SOLUBLE PENCILS 2

These pencils are great. Per the previous WATER SOLUBLE PENCILS page, I did what I said I was going to do. In the drawing at the top, I first wetted the paper completely. And...

0

WATER SOLUBLE PENCILS

I tried out a water soluble pencil this morning. I didn’t know they existed. I was looking thru the Dick Blick pages, and then realized something like this was made. So I ordered a...